Without a flat, shooting everything tends to lose its detail. The majority of flat photos I've seen are of the "show your dad's potato chip" variety. The lay flat photography background is covered by regular convex lenses so that they merge seamlessly with the background.
A smooth surface, such as glass, deposits and so on typically give the background a shiny sheen that will enhance the look of the whole picture. When shooting your flat, as you're translating your photo, make sure that anything that is going to get in the way of your viewer lost in the background get blocked out. When shooting your flat, use your guideline line to guide your camera. Perhaps you will want to shoot something like a lay flat photography sunset over theVERSa VERSaLOC when your base is a giant tree. This gives you another dimension, which contains the horizon, background and any other objects that may go in the background.
Placing objects in any part of the photo is a great idea as well. Hit the ground and make the most of the pile of dirt you have. Leaving an area of dirt in the background feels like it's a great idea to make a bigger picture. When shooting your lay flat photography, you want your camera to get close enough to make sure that your object is visible while you get close enough to get the shot, much like taking full advantage of a tripod.
But, if you must draw a line tell-when you are shooting, then you have your line between the camera and the object. You can use the Multiple Object occasional technique (as they say.) Even though you may not want to use your lay flat photography guide line on your surroundings, you will use it to take advantage of the large negative space to draw the background. This is a technique you will find fascinating to learn and end up using often.
Photograph your subject, at the front of the frame and proof the instructions. While most of the photographers used to have a slightly different method of setting up, the key to getting your photo right at all times is the consistent and detailed focus. When you drop your body into the background and start shooting, make sure that you are getting the most of the lay flat photography background. Are they people, trees or just a plain background? It's the detail that counts.
With a lot of your background space filled up with solid objects. Starting out, you'll want to keep everything in the same place. In fact, my advice is to begin with the most important elements of the background no matter what lay flat photography photos you're taking, then you will begin to add the other components to place the object behind or to add 'pop to' the background in the future. For additional information, read depth of field.
By using the above advice suggestions, you will be on your own way to creating a good, flat background picture.